“My paintings are set in the outskirts of figuration, often picking up on architectural or landscape-like elements. Colours have a prominent role in my work and occupy a playfully shifting position between materiality and representation. I often work with series where every piece tells its part of a bigger story.”
Master of Fine Art, Art Theory and Communication
Royal Academy of Fine Arts, Copenhagen, Denmark
Konstskolan Idun Lovén, Stockholm
Master Thesis: Hilma af Klint-effekten – en receptionshistorisk studie.
Read it here (Swedish)
Fiktionens artefakter, Visuell Arkivering 04, essay in antology.
Published by Afdeling for teori og formidling, Det kgl.danske Kunstakademi, København.